I photograph weddings the way I photograph everything else: as something that is happening, not something that is being staged for me. No shot list. No lining the families up on the steps. No asking you to walk towards the camera again, slower this time, looking at each other. If a moment is good I was there for it, and if I was not there for it, it is not in the album, because a moment that has been re-created is not the moment.
That comes from twenty years of reportage. A photojournalist cannot ask a riot to hold still, and learns instead to read a room, to be in the right place a few seconds early and to stay out of the way once there. Weddings reward exactly that. The look between a father and daughter before the doors open. The friend who has held it together all day and loses it in the speeches. The kids under the table. The two of you, somewhere between the ceremony and the dinner, when nobody is looking and it finally lands. I work with small cameras and fixed lenses, in whatever light there is, and most people forget I am there by the second drink, which is the point.
Elopements are where this works best. Two people, a celebrant, maybe a handful of others, somewhere that means something to you: a registry office and a pub lunch, a beach at seven in the morning, a back garden. There is nothing to perform and nobody to perform for, so what is left is the thing itself, and that is what I am there to keep. Some of the frames on this page are from days like that, and some are from big weddings with two hundred guests and a band, and the approach was the same on both.
What you get is the day as it was. Not fewer pictures than a conventional wedding photographer, more, because I am shooting the whole time rather than waiting for the set-ups, but edited hard, so the album reads like a story rather than a catalogue. The awkward and the funny and the plain stay in, because in ten years those are the ones you will want. I do not use flash. I do not bring an assistant. I will not hand your guests a prop box.
I have shot weddings in London and across England, in Berlin, and now in Melbourne and regional Victoria, and I travel. Albums can be private on this site, behind a code you share with family, and prints are made in Melbourne for the people who still like something on a wall.
If that sounds like your day, write through the contact page with the date and the place, and whether it is an elopement, a small wedding or a large one, and I will come back with availability and a straight price.